LORD BUFFALO compels us with the venomous dark folk of “Holus Bolus”.

by

We had the chance to talk to LORD BUFFALO’s frontman Daniel Pruitt when they released their last album “Tohu Wa Bohu” in 2020. He said that his environment was...

Bear Stone Festival 2024: a trip in noisy heaven.

by

Bear Stone Festival is an enchanting break from your everyday life. Lost in the middle of the Croatian mountains, no one will hear you scream. That’s a good thing, because...

GURT gives no shit and goes full-on party doom on “Satan, etc.”

by

Sometimes, we just think it won’t work. We come across an album and think, “nope, not my cup of tea”. When discovering Gurt and their latest record “Satan, etc.” in...

Uncle Acid & The Deadbeats “Nell’Ora Blu”

by

Kevin Starrs had warned us. When he released his live album “Slaughter On First Avenue” last year, Uncle Acid hinted that something decidedly different was cooking in the...

Desertfest London 2024 Review

by

FRIDAY 17TH MAY Norwegian three-piece GRAND ATOMIC speak little, yet inflict riffiously bodily harm on a mid-afternoon Underworld with their psychedelic blend of doom-laden heft,...

HIGH ON FIRE returns with the juggernaut record we all needed with “Cometh The Storm”.

by

High On Fire is one of the very few bands who are unanimously praised by the public, critics and even the biggest ceremonies in the music industry, despite a sonic identity which...

GLASSING takes us to group therapy with “From The Other Side of the Mirror”.

by

Let’s suppose Glassing was completely unknown to you until this 4th album release. In that case, you should know that the Austin, Texas trio fuses post-metal, noise rock and...

SUNNATA transcend their shamanic doom with “Chasing Shadows”.

by

Music has always been associated with trance. It bridges the gap between the subjectivity of the inner self and the outside world. This is why music is so often used in rituals....

The future of metal is now: an interview with HOWLING GIANT.

by

While the entire metal community is still reeling from the return of $layer, announced between a few well-placed scuds from its founding members, some bands are constantly trying...

PISSED JEANS knocks down monotony with “Half Divorced”.

by

Pissed Jeans have been a staple band of Sub Pop Records since 2007, yet they feel like a black sheep among the Seattle label’s tidy catalog. They recently released their...

MELVINS drop a weird noisy 2024 vintage with “Tarantula Heart”.

by

The Melvins are back even though they never really left. What’s new for the 2024 version? A new line-up, obviously. For the last two decades, the band has used line-up rotations...

Will you survive the wild trip of THE COSMIC DEAD’s “Infinite Peaks”?

by

2024 will be a psychedelic year or won’t be, with every month bringing its share of fantastic astral explorations laden with space kraut and other psychotropic fuels. 2024...

ACID MAMMOTH take no (doom) prisoner with “Supersonic Megafauna Collision”.

by

Acid Mammoth. In less than a decade, they have established themselves as THE Sabbathian doom band with a Greek twist and quickly earned unanimous support — so much so that we...

PYRAMID elevates us with the fine psychedelia of “Beyond Borders of Time”.

by

A trio, three summits for a band called Pyramid. The foundations of this musical triangle were laid in 2019 with the release of their debut album “Mind Maze”. This was...

GREYBORN make stoner rock miracles with new EP “Scars”.

by

Greyborn follows their own path. Avoiding traps and derailing from imposed figures, the Limoges trio returns their sophomore EP with “Scars”, being more powerful, ambitious...